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C. Cimmone’s Mortal Remains of a Used-Up Woman is a fiercely precarious balance of jagged narrative and precise imagery, the terror of irrevocable experience and the power of memory to reshape that experience, and the perpetual internality of life and externality of life’s performance. In Cimmone’s supremely confident hands, this precariousness is the permanent, ever-vibrating state of existence.

-Robert Fromberg, author of How to Walk with Steve